﻿<?xml version="1.0" encoding="utf-8"?><rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns="http://purl.org/rss/1.0/" xmlns:admin="http://webns.net/mvcb/"><channel rdf:about="/rss.aspx"><title>Viktorya's Art Blog for Sacramento, Napa, North Baja California, Mexico</title><link>http://artnjavablog.artnjava.com</link><description /><dc:publisher>Quick Blog</dc:publisher><admin:generatorAgent rdf:resource="http://app.onlinequickblog.com/" /><items><rdf:Seq><rdf:li rdf:resource="http://artnjavablog.artnjava.com/2008/05/01/victory-gardens--american-rollupyoursleeves-selfreliance.aspx" /><rdf:li rdf:resource="http://artnjavablog.artnjava.com/2008/04/30/discharge-fabric-workshop-for-network-for-wearable-art.aspx" /><rdf:li rdf:resource="http://artnjavablog.artnjava.com/2008/04/22/women-impressionists-berthe-morisot-mary-cassatt-eva-gonzalès-marie-bracquemond.aspx" /><rdf:li rdf:resource="http://artnjavablog.artnjava.com/2008/04/02/dreamweavers-and-crocker-museum-news.aspx" /><rdf:li rdf:resource="http://artnjavablog.artnjava.com/2008/03/31/revisit-fabrics-tucked-away-in-your-studios.aspx" /><rdf:li rdf:resource="http://artnjavablog.artnjava.com/2008/03/29/patterns-galore.aspx" /><rdf:li rdf:resource="http://artnjavablog.artnjava.com/2008/03/27/news-for-network-for-wearable-art-enthusiasts.aspx" /><rdf:li rdf:resource="http://artnjavablog.artnjava.com/2008/03/17/network-for-wearable-art--review-and-relevant-links.aspx" /><rdf:li rdf:resource="http://artnjavablog.artnjava.com/2008/03/13/bits-of-paper-dress-history.aspx" /><rdf:li rdf:resource="http://artnjavablog.artnjava.com/2008/03/12/network-for-wearable-art-meeting.aspx" /></rdf:Seq></items></channel><item rdf:about="http://artnjavablog.artnjava.com/2008/05/01/victory-gardens--american-rollupyoursleeves-selfreliance.aspx"><title>Victory Gardens - American Roll-up-your-Sleeves Self-Reliance</title><link>http://artnjavablog.artnjava.com/2008/05/01/victory-gardens--american-rollupyoursleeves-selfreliance.aspx</link><description><![CDATA[<span style="font-weight: bold;">Victory Gardens - Growing American Roll up your Sleeves Self-Reliance</span><br><br>I started out to write an article about World War II Victory Gardens, and to augment, I went online to search more, and what a pleasant discovery -- Community Gardens/Victory Gardens are growing in the USA!  <br><br>Simultaneous to writing this article, a news item came through from Ann Trinca at <span style="font-weight: bold;">The Nest</span> Art Space in Napa CA.&nbsp; This innovative artist is providing a common area at this Art Space, where people can gather to plant, tend and harvest vegetables.&nbsp; She does request that people bring their own spades shovels, rakes and picks to this first prep session on 6 May 2008 from 9 am to 4 pm.&nbsp; The community planting day will be 10 May 2008.<br><br><div style="margin-left: 160px;"><img src="http://images.quickblogcast.com/47449-43097/The_Nest.jpeg" border="0" width="336"><br></div><br><div style="margin-left: 160px;"><span style="font-weight: bold;">The Nest</span> Art Space<br>1019 Atlas Peak Rd<br>Napa, CA 94558<br>(707) 812-2201<br><a href="http://napanest.typepad.com/flourish/" target="_blank">Please check out Ann's The Nest Blog</a><br></div><br>Back to World War II, at a time of rationing, Victory Garden posters were beautifully designed graphics, distributed to encourage Americans to participate in their own <span style="font-weight: bold;">self-reliance by planting gardens</span>.&nbsp; <br><br><div style="margin-left: 80px;"><div style="margin-left: 40px;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <img src="http://images.quickblogcast.com/47449-43097/Victory_Garden_Poster.jpg" border="0" width="334"><br></div><br><img src="http://images.quickblogcast.com/47449-43097/Grow_it_your_self.jpg" border="0" width="512"><br></div><br><br><a href="http://www.sacramentohistory.org/films_victory.html#" target="_blank">Please check out Sacramento History online.</a> There are three silent movie clips made during WWII that are absolutely charming and wonderful.&nbsp; To follow is a description of this time in Sacramento, relative to Victory Gardens and canning:<br><br><div style="margin-left: 80px;"><span style="font-style: italic;">During WWII, significant emphasis was placed upon the “Homefront”. Rationing and security issues are often mentioned, but another “Front” was the effort to increase food production. A national effort was implemented entitled, “Victory Garden”. The Sacramento Bee and KFBK endorsed the program and sponsored three “Harvest Festivals” in 1943, ‘44, and ’45.&nbsp; Under the parent corporation of McClatchy Newspapers, a program of enlisting citizens to tear out their front and backyards and plant gardens with emphasis on fruits and vegetables was begun. To encourage local citizens, the Sacramento Bee had still photographer Bob Handsacker produce a 16mm color motion picture film. It is believed that Handsacker had never before produced a motion picture. Most of his editing was undertaken in his camera because he lacked the equipment to undertake significant post-production editing.&nbsp; </span>(Please check out these silent movies on this site.) <br style="font-style: italic;"><br style="font-style: italic;"><span style="font-style: italic;">The film and promotional campaign was a great success. Three Harvest Festivals were held in Memorial Auditorium and the fruit and vegetables were sent to the Bercut Richards Cannery where they were canned under a “V” for victory label.</span><br style="font-style: italic;"><br style="font-style: italic;"><span style="font-style: italic;">In 1945, the Sacramento Bee and KFBK, along with two other recipients on the West Coast, received a national plaque in recognition of their successful program. Eleanor Roosevelt sent a personal letter to Eleanor McClatchy complementing Sacramento on an outstanding program.</span><br></div><br><div style="margin-left: 80px;"><img style="width: 515px; height: 400px;" src="http://images.quickblogcast.com/47449-43097/1507_2566.jpg" border="0"><br></div><br><div style="margin-left: 80px;">Women Cannery Workers, pitting peaches 1930<br></div><div style="margin-left: 80px;">Photo owned by © Sacramento Archives and Museum Collection Center<br></div><br><span style="font-weight: bold;"><a href="http://www.suite101.com/article.cfm/food_history/26047" target="_blank">Use It All; Wear It Out; Make It Do; or Go Without!</a></span><br><span style="font-style: italic;">By Carey Draeger</span><br><br>&nbsp;&nbsp;&nbsp; &nbsp;It was a time of careful shopping, empty sugar bowls and Victory gardens growing on every bit of available land. Karo syrup, honey and molasses replaced the sugar in cakes and cookies. Americans ate more chicken--the Sunday pot roast had become a fond memory. Tires were patched and re-patched; new tires were as valuable as gold and more difficult to acquire. Gasoline and shoe purchases were severely limited and required special stamps. America was at war with the Axis; it was time to tighten the belt and make sacrifices to ensure an Allied victory.<br>&nbsp;&nbsp;&nbsp; <br>&nbsp;&nbsp;&nbsp; Within a year after America's entry into World War II, factories were producing armaments instead of civilian products like automobiles and electrical appliances. Shoe manufacturers made boots for the U.S. Armed Forces. Silk and nylon went into parachutes instead of women's stockings. Shortages of metals, rubber and sugar quickly appeared as Pacific supply routes fell under enemy control.<br><br>&nbsp;&nbsp;&nbsp; In April 1942, the Office of Price Administration announced sugar would be rationed--Philippine imports had been cut off and ships carrying Cuban and Puerto Rican sugar were needed for defense use. Large amounts of sugar were also required to manufacture the alcohol used in explosives. By 1943 coffee, canned meat and fish, canned, frozen and dried fruits and vegetables and fresh meat, fish, butter and cheese quickly joined the list.<br><br>&nbsp;&nbsp;&nbsp; On December 6, 1942, President Franklin D. Roosevelt appointed Claude R. Wickard to the newly created position of food administrator to supervise the rationing of consumable and usable products vital to the war effort. Wickard, well aware of his job's importance, noted during a radio broadcast later that month that "the way we manage our food supply will have a lot to do with how soon we win the war."<br><br>&nbsp;&nbsp;&nbsp; By early 1943, the point system for food and other commodities had become reality for most Americans. Each citizen, regardless of age, was issued 2 ration books on a specific date--set by the Office of Price Administration--each month. Blue coupons were used with cash to purchase canned foods; red went toward meat, fish and dairy products. Every coupon had a special point value and the total monthly point allowance was 48 blue and 64 red points. The rationing points translated into about 2 pounds of canned fruits and vegetables, about 1.5 pounds of meat and 4 ounces of cheese per person. The average family of 4 received 8 ration books, or 192 blue and 256 red points per month.<br><br>Rationing was established to distribute fairly whatever food was available to home front markets, but it did not guarantee that everyone would find the foods for which they had coupons. The military's needs were met first, so shortages of certain foods quickly became unavoidable. Points were figured geographically, but food supplies differed regionally, even within a state. While some cuts of meat might require 12 points per pound in Detroit, they would only require 6 points in Chicago.<br><br>Faced with inevitable shortages, housewives spent much of their day budgeting and planning meals. Their innovative ideas quickly became apparent in the recipes for sugarless or low-sugar cookies and cakes that appeared in newspapers and magazines. Other sweetening agents, such as honey, molasses, sorghum and Karo syrup, were substituted in desserts or atop pancakes and hot cereal.&nbsp; Wartime required many cooks to fall back on Depression-era recipes that used oatmeal or soybean flour in casseroles and stews as meat extenders.<br><br>Many cookbooks were written to assist the wartime cook as she dealt with meat, sugar and egg rationing. The book "Thrifty Cooking for Wartime" by Alice B. Winn-Smith (1942, The Macmillan Company) is a charming example of the kinds of books women turned to for help. In the book's preface, Winn-Smith writes, "In this book are many helpful suggestions that will make your meal planning easier while going through these experiences. After all, we owe it to our families to keep the home fire burning as comfortably as possible, while they are so willingly doing everything to protect it."<br><br>Nutritionists and cookbook authors suggested housewives serve more meatless meals, something we've discovered today is a healthy alternative, but was considered a patriotic sacrifice during the war years. Winn-Smith reminded readers, "Remember, much of the meat is needed by 'our boys,' and the use of some of these meat cuts that are less important for supplying the armed forces, definitely helps in the conservation program."<br><br><span style="font-weight: bold;">I MADE ALL OF THESE RECIPES THAT FOLLOW.&nbsp;</span> During many months while living in what was fondly called <span style="font-style: italic;"></span><a href="http://artnjavablog.artnjava.com/2007/03/06/mona-in-mustard-with-wine-by-viktorya.aspx" target="_blank">The Military House in Baja California, Mexico</a> and because it was built by the government for military housing in 1942, I fell in love with the music of the era, wrote stories about the women who probably had lived in this abode, waiting for their husbands to return from the Second World War.&nbsp; As a result, my research included recipes designed for families when certain foods were scarce.&nbsp; It followed of course that I would try them out, and you know, they are tasty!&nbsp; By the way, my friend Kimberly Morrison and I threw a fabulous party with this theme of <span style="font-weight: bold; font-style: italic;">Use it all</span>, and those who attended said it was a blast!<br><br><span style="font-weight: bold;">Winn-Smith's nut casserole:</span><br><br>2 quarts boiling water, salted<br>1 cup spaghetti or macaroni<br>1 cup chopped peanuts<br>1 cup grated cheese<br>1 tablespoon chopped onion<br>1/3-cup bread crumbs<br>2 cups thick tomato juice or canned tomatoes<br>1/4-teaspoon pepper<br><br>1-teaspoon salt<br>2 tablespoons melted butter or margarine<br><br>Drop the spaghetti or macaroni into the boiling salted water and cook until tender (not soft), about 25 minutes. Drain and lightly mix with the peanuts, grated cheese and onion, place in a greased casserole. Season the tomatoes with the salt and pepper, and pour them over the spaghetti. Mix the melted butter with the bread crumbs, and sprinkle over the top. Bake in a 350 degree oven for 30 minutes or until nicely browned.<br><br><span style="font-weight: bold;">Winn-Smith's recipe for an egg less, butter less spice cake</span><br><br>1-cup brown sugar<br>1-cup water<br>1/3 cup shortening<br>2 cups seeded raisins<br>1-teaspoon cinnamon<br>1/2-teaspoon salt<br>1/2 teaspoon each: nutmeg, allspice and cloves<br>2 cups cake or pastry flour, sifted<br>1-teaspoon baking soda<br>1/2-teaspoon baking powder<br><br>Boil the sugar, water, shortening, raisins, spices and salt together for 3 minutes, stirring continually. Cool. Sift flour, soda and baking powder together and gradually stir into batter, beating well. Bake in a greased cake pan in a slow oven (300 to 325 degrees F), for about 1 hour. This is a delicious cake and keeps well.<br><br><span style="font-weight: bold;">MEATLESS MEAT LOAF from War Emergency Recipes</span><br><br>1 1/2 cups cooked peas <br>&nbsp;1 1/2 cups diced cooked carrots<br>&nbsp;1/2 cup milk<br>&nbsp;2 eggs<br>&nbsp;1 1/2 cups two or three day old whole wheat bread crumbs (firmly packed)<br>1/4 cup minced onion<br>&nbsp;1 cup water<br>&nbsp;2 tablespoons melted butter or margarine<br>&nbsp;1/2-teaspoon celery salt<br><br>&nbsp;Mash together the peas and carrots. Add milk, beaten eggs and all remaining ingredients. Mix thoroughly. Place mixture in a well-greased loaf pan and bake in a moderate oven (350 degrees F.) for one hour and 15 minutes. Serve with any favorite meat sauce.<br><br><div style="margin-left: 160px;"><img src="http://images.quickblogcast.com/47449-43097/Rosie.jpg" border="0" width="241"><br>Rosie the Riveter <br><br><br></div><br>]]></description><dc:subject>Home and Garden</dc:subject><dc:creator>Viktorya</dc:creator><dc:date>2008-05-01T04:45:19Z</dc:date></item><item rdf:about="http://artnjavablog.artnjava.com/2008/04/30/discharge-fabric-workshop-for-network-for-wearable-art.aspx"><title>Discharge Fabric Workshop for Network for Wearable Art</title><link>http://artnjavablog.artnjava.com/2008/04/30/discharge-fabric-workshop-for-network-for-wearable-art.aspx</link><description><![CDATA[The NETWORK FOR WEARABLE ART meeting will be May 17, 2008 at J. R. Flamingo, 1139 Fulton Avenue, Suite C, Sacramento, CA 95825.&nbsp; <br><div style="margin-left: 200px;"><img src="http://images.quickblogcast.com/47449-43097/NWA_logo.jpg" border="0" width="134"><br></div><br><span style="font-weight: bold;">Discharge Dye From Fabric workshop</span>.&nbsp; <br>The supply list is a PDF download -- <a href="http://artnjavablog.artnjava.com/files/47449-43097/NWA_Discharge_Supply_List.pdf">Click this link for a PDF download.</a><br><br>Want to join the Network for Wearable Art? <br>Comment here, and I'll send info to the Network Membership Chairman.<br><br><br><br><br><br><br>]]></description><dc:subject>Network for Wearable Art</dc:subject><dc:creator>Viktorya</dc:creator><dc:date>2008-04-30T05:19:39Z</dc:date></item><item rdf:about="http://artnjavablog.artnjava.com/2008/04/22/women-impressionists-berthe-morisot-mary-cassatt-eva-gonzalès-marie-bracquemond.aspx"><title>Women Impressionists: Berthe Morisot, Mary Cassatt, Eva Gonzalès, Marie Bracquemond</title><link>http://artnjavablog.artnjava.com/2008/04/22/women-impressionists-berthe-morisot-mary-cassatt-eva-gonzalès-marie-bracquemond.aspx</link><description><![CDATA[<span style="font-weight: bold;"></span><span style="font-weight: bold;"><h2>Women Impressionists: Berthe Morisot, Mary Cassatt, Eva Gonzalès, Marie Bracquemon</h2></span><span style="font-weight: bold;"><h2><span style="font-weight: bold;"></span></h2></span><span style="font-weight: bold;">Exhibition dates: June 21–September 21, 2008</span><br><span style="font-weight: bold;"><br></span><span style="font-weight: bold;">On view at the Legion of Honor, exclusive U.S. venue<br></span><div style="margin-left: 40px;"><div style="margin-left: 40px;"><span style="font-weight: bold;"><img style="width: 305px; height: 394px;" src="http://images.quickblogcast.com/47449-43097/Morisot_Jeune_femme.jpg" border="0"><br>Berthe MorisotJeune femme</span><br></div><span style="font-weight: bold;"></span></div><br><br><div style="margin-left: 80px;"><img style="width: 306px; height: 499px;" src="http://images.quickblogcast.com/47449-43097/Cassattwomanreading.jpg" border="0"><span style="font-weight: bold;"><br>Mary Cassatt Woman Reading</span><br></div><br><a href="http://picasaweb.google.com/FAMSF1/WomenImpressionists?authkey=rF9yARG8NIo" target="_blank">Download Impressionist Painting images</a><br><span style="font-weight: bold;"><br><br>Address:</span><br>
Lincoln Park, 34th Avenue and Clement Street<br>
San Francisco, CA 94121, 415.750.3600<br>
<span style="font-weight: bold;">Hours:</span><br>
Tuesday–Sunday, 9:30 am–5:15 pm; closed on Monday<br>
<span style="font-weight: bold;">Admission:</span><br>
$15 adults; $12 seniors; $11 youths 13–17 and students with college
I.D. $5 surcharge for the special exhibition Women Impressionists:
Berthe Morisot, Mary Cassatt, Eva Gonzalès, Marie Bracquemond is
included<br>
Members and children under 12 are free<br>
General admission is free the first Tuesday of every month<br><br>
<br><span style="font-weight: bold;">San Francisco, April 2008</span>––In a day when a woman leads the House of Representatives and another campaigns for President, it might be hard to imagine a time when the work of four women painters was marginalized because of strict social rules and the artists’ gender.&nbsp; For many decades, the four artists celebrated in Women Impressionists were treated with critical ambivalence and lacked major public exhibitions.&nbsp; It is only now that their innovative styles and contribution to Impressionism are showcased in a groundbreaking exhibition this summer at the Legion of Honor in San Francisco, the exclusive U.S. venue.&nbsp; Women Impressionists: Berthe Morisot, Mary Cassatt, Eva Gonzalès, Marie Bracquemond is on view from June 21 to September 21, 2008.&nbsp; The exhibition offers a rare opportunity to directly compare the work of these women artists by bringing many pieces together for the first time.<br><br>An upper class woman living in Paris in the late 19th century was subject to a strict code of social rules.&nbsp; An unmarried woman, for example, could not leave her home without a chaperone, nor could she frequent a café or the theater by herself without risk to her reputation.&nbsp; As a result, women were encouraged to develop interests in the decorative arts, music, or painting, pursuits that could be practiced in the company of other women.&nbsp; These endeavors were seen as a way to refine one’s self versus an avenue for a career.<br><br>In 1874, the group of artists known as Impressionists, whose painting style featured quick, visible brush strokes, bold colors, and an emphasis on the play of natural light, mounted the first of eight privately organized exhibitions to show their modern work directly to the public.&nbsp; Compared to previous movements of painting where canvases were large and themes were heroic, historical or religious, the Impressionist style was uniquely suited to women painters.&nbsp; The smaller format size made it easier to transport and paint en plein air (outdoors). The focus on less formal subject matter including “snapshots” of everyday life such as portraits of family, children, or friends and landscapes of the garden or countryside were easily captured within their daily domain.&nbsp;&nbsp; <br><br>Berthe Morisot (1841–1895), Eva Gonzalès (1847–1883), Mary Cassatt (1844–1926), and Marie Bracquemond (1840–1916) were all members of the Impressionist circle.&nbsp; These four women—three French artists and one American artist living in Paris—exhibited works that were as innovative as those of their male counterparts.&nbsp; While they have diverse biographies, each of these artists overcame daunting obstacles to contribute to the development of Impressionism.&nbsp; As they shaped their unique careers and artistic styles, Morisot, Cassatt, Gonzalès, and Bracquemond negotiated not only personal challenges but also those posed by the conventional ideas of acceptable behavior for women of their time.<br><br>One of the best-known women Impressionists, Berthe Morisot devoted herself to the painting of modern life.&nbsp; As one critic noted at the time, “Her painting has all the frankness of improvisation; it truly is the impression caught by a sincere eye and accurately rendered by a hand that does not cheat.”&nbsp; Morisot distinguished herself as the only woman to exhibit in the first Impressionist exhibition and continued to show in the next seven.&nbsp; Married to the brother of Manet and close friends with Renoir, Morisot became one of the most prolific members of the Impressionist circle.&nbsp; Her love for painting outdoors continued throughout her career, and her daughter Julie remained her favorite model. Women Impressionists presents over 60 examples of Morisot’s works, including drawings, pastels, and oil paintings.<br><br>Born in Pittsburg, Pennsylvania in 1844, Mary Cassatt stands out as the only American member of the Impressionist circle.&nbsp; After studying painting both at the Pennsylvania Academy of the Fine Arts and throughout Europe, she settled permanently in Paris in 1875, where she became close friends with Degas and exhibited in four of the Impressionist exhibitions. Cassatt rejected the idea of becoming a wife and mother and embraced her independence as she forged a profitable and successful career painting women as “Subjects, not objects.”&nbsp; Best known for portraits of mother and child, her work first focused on an intimate world of social interactions and later turned to the close relationships between adults and children. Women Impressionists features more than 35 works by Cassatt, including examples of her oil paintings, pastels, and prints.<br><br>Although Eva Gonzalès’ career was cut short by her sudden death at the age of 36, she became known for her characteristic style for portraiture. She included subtle emotion and richness of detail in her works, such as Une Loge aux Italiens (1874), described as one of the most provocative paintings of its day and featured in this exhibition. Manet chose Gonzalès as his only formal pupil.&nbsp; Like her teacher, she never exhibited with the Impressionists but was considered a member of their circle. Approximately 15 works by Gonzalès, including the finest examples of her oil paintings and pastels, are included in Women Impressionists.<br><br>The greatest challenge in Marie Bracquemond’s career proved to be the discouragement of her husband, the artist Felix Bracquemond.&nbsp; Unlike the other women, Bracquemond did not enjoy the opportunities of privilege, and she was largely self-taught. She became acquainted with members of the Impressionist circle, including Degas, Renoir, and Monet, after her designs for porcelain attracted Degas’ attention.&nbsp; Bracquemond exhibited in three of the Impressionist exhibitions. Felix’s disapproval of Impressionism and his disapproval of his wife’s career led her to stop painting by 1890. Women Impressionists marks the most comprehensive exhibition of Marie Bracquemond’s work since a 1919 retrospective organized by her son Pierre at a Paris gallery. The exhibition at the Legion of Honor features approximately 40 works by Bracquemond, including watercolors, drawings, oil paintings, and porcelain.&nbsp; <br><br>Women Impressionists is co-organized by the Fine Arts Museums of San Francisco and the Schirn Kunsthalle in Frankfurt, Germany. The curator of the exhibition is Dr. Ingrid Pfeiffer, curator of the Schirn Kunsthalle.&nbsp; For the San Francisco presentation, Krista Brugnara, director of exhibitions, and John Buchanan, director of FAMSF, serve as coordinating curators. An Antenna Audio guide and a fully illustrated catalogue including essays by nine authors accompany Women Impressionists.<br><br>Patron funding for the exhibition is provided by Diane B. Wilsey, and Penny and James George Coulter.&nbsp; Sponsor support is provided by Dr. Kathy Nicholson Hull and Mr. Bill Gisvold, and Susan and James R. Swartz.&nbsp; Additional support is provided by the Hurlbut-Johnson Chartable Trusts and the Ross Auxiliary of the Fine Arts Museums.<br>&nbsp;&nbsp;&nbsp; <br>Legion of Honor visitor information<br><br>The Legion of Honor displays a collection of 4,000 years of ancient and European art and houses the Achenbach Foundation for Graphic Arts in a Beaux-Arts style building overlooking Lincoln Park and the Golden Gate Bridge.<br><br><br>Information:<br>legionofhonor.org<br>4/10/2008<br>
<br>
Media Contacts:<br>
Jordan Robbins, 415.750.3554, jrobbins@famsf.org<br>
Robin Wander, 415.750.2604, rwander@famsf.org<br><br>]]></description><dc:subject>Art Exhibitions</dc:subject><dc:creator>Viktorya</dc:creator><dc:date>2008-04-22T06:36:48Z</dc:date></item><item rdf:about="http://artnjavablog.artnjava.com/2008/04/02/dreamweavers-and-crocker-museum-news.aspx"><title>Dreamweavers and Crocker Museum News</title><link>http://artnjavablog.artnjava.com/2008/04/02/dreamweavers-and-crocker-museum-news.aspx</link><description><![CDATA[Crocker Art Museum in Sacramento , and Dreamweavers Theater in Napa are two art venues who produce newsletters to which I subscribe.&nbsp; To follow is information about upcoming performances and exhibitions with links to their respective websites.&nbsp; -&nbsp; Viktorya<br><br><div style="margin-left: 120px;"><img style="width: 301px; height: 364px;" src="http://images.quickblogcast.com/47449-43097/DEAKIN_Still_Life_Kitchen_Corner.jpg" border="0">&nbsp; <br></div>See the Edwin Deakin exhibit before it’s too late and get geared up for the May Art Auction.<h3 style="font-style: italic;">
</h3><h4><a href="http://www.crockerartmuseum.org/" target="_blank">Crocker eNews</a> – Don’t Miss the Edwin Deakin Exhibit at the Crocker</h4>

Last Chance to See the <a href="http://www.crockerartmuseum.org/exhibitions/exhib_pages/Deakin.html" target="_blank">Edwin Deakin</a> Exhibition<br>
Don’t miss the opportunity to experience celebrated painter Edwin
Deakin's&nbsp;beautiful works depicting picturesque scenes of California and
European landscape, architecture and still life. Exhibit closes April
20.<br>
&nbsp;<br>
<span style="font-weight: bold;">ASG Evaluation Day</span><br>
TUESDAY, APRIL 8, 10 AM-4 PM<br>
The Art Service Group will sponsor an appraisal session that focuses on evaluations of <span style="font-weight: bold;">oriental objects</span>
and art with Lee Kavaljian and Randall Abbot. Informal appraisals are
$10 per item or $45 for five items. Call Marilyn at 916.564.1230 for an
appointment.<br>
&nbsp;<br>
<span style="font-weight: bold;">Coming Up: Art Auction 2008</span><br>
SATURDAY, MAY 31, 5 PM<br>
GENERAL TICKETS $150 •&nbsp;PATRON TICKETS $200<br>
Mark your calendars for our very popular Art Auction! This is your
chance to collect works of art by the region’s most distinguished
artists. Enjoy a summer evening filled with gourmet food, fine wine and
friends. Patron tickets on sale now. General Tickets go on sale April
15. For reservations or additional information, please call
916.808.7843.<br>
<br>
Refer Your Friends to Crocker eNews and Win $50 at Arden Fair Mall!<h3><br></h3><h3>Dreamweavers Troupe, Inc.</h3>Dreamweavers is located at 1637 Imola Avenue, to the rear of the Riverpark Shopping Center in Napa, California. 707-255-LIVE (5483).<br><br><span style="font-weight: bold;">The Last Act is a Solo, </span>by Robert Anderson. One Weekend ONLY in MAY!<br><span style="font-style: italic;">Dreamweavers to Hold Fundraiser for Alzheimer's Awareness</span><br>Written by L. Krohn<br>Tuesday, 25 March 2008<br>Dreamweavers presents an exclusive fundraising event hosted by the "Rockin' Ramblers", the Alzheimer’s Association's North Bay staff team, to benefit the Alzheimer’s Association Wine Country Memory Walk. The event features exclusive performances of Robert Anderson's The Last Act is a Solo.&nbsp; The powerful one-act play will be performed in the intimate Black Box venue at <span style="font-weight: bold;">8pm on May 2nd and 3rd, and at 2pm on May 4th.</span>&nbsp; Complimentary refreshments will be served before all performances.<br><br>Tickets are $40 for the evening performances, and $35 for the matinee and must be paid for in advance.&nbsp; <br>Personal checks, MasterCard, Visa and American Express are all accepted.&nbsp; <br>Reservations may be made by calling the Alzheimer's Association at 707-573-1210.<br>All proceeds over and above the royalty fees go directly to the Alzheimer's Association Wine Country Memory Walk.&nbsp; In addition to the proceeds going to a worthy cause, the performance is sure to touch all who are fortunate to see this play.&nbsp;&nbsp; We, at <a href="http://www.dreamweaverstheatre.org/" target="_blank">Dreamweavers</a>, appreciate your support and are pleased to bring this poignant and moving play to you.<br><br><br><h2></h2><br><br><h3><br></h3><br>]]></description><dc:subject>Theater</dc:subject><dc:subject>Art Exhibitions</dc:subject><dc:creator>Viktorya</dc:creator><dc:date>2008-04-02T04:57:25Z</dc:date></item><item rdf:about="http://artnjavablog.artnjava.com/2008/03/31/revisit-fabrics-tucked-away-in-your-studios.aspx"><title>Revisit fabrics tucked away in your studios</title><link>http://artnjavablog.artnjava.com/2008/03/31/revisit-fabrics-tucked-away-in-your-studios.aspx</link><description><![CDATA[Digging through bins of fabric and unfinished projects I came across a Vogue Betty Jackson pattern with a cute hoodie pull over shirt.&nbsp; After buying more fabulous fabric at RIKI's Warehouse Sale last Saturday, it is my intention to be more careful about having a pattern that fits before I cut into the high end fashion fabric.<br><br><div style="margin-left: 40px;"><img src="http://images.quickblogcast.com/47449-43097/Betty_jackson_450.jpg" border="0" width="450"><br></div><br>I measured my body (boy am I ever glad my membership at California Fitness begins tomorrow) smiles...&nbsp; Being an Internet enthusiast I researched computer aid design CAD software for MAC, and in that process, I found a great <a href="http://artnjavablog.artnjava.com/files/47449-43097/measure_wfillable.pdf">PDF about Body Measurement</a>.&nbsp; Just click to review -- attaching it here for you to look at.&nbsp;&nbsp; To follow is the first page, and you can see even though these are instructions for CAD software input, we can gain from seeing this cool visual.<br><br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <img src="http://images.quickblogcast.com/47449-43097/measure_wfillable_1.jpg" border="0" width="450"><br><br>Also, our Network will be having a body measuring workshop in July to develop our own Croquis -- a PDF example of one interpretation is attached.&nbsp;&nbsp; <a href="http://artnjavablog.artnjava.com/files/47449-43097/CroquisFamily.pdf">Croquis Family</a>&nbsp; Just click and you can take a look.<br>
<br>I feel so grateful that touching fabrics has again ignited my intrinsic enthusiasm for garments and quilt making, and to further express art in fiber, whether for the body or for the wall.&nbsp;&nbsp;&nbsp; <br><br>Have you ever noticed that we who love fabric have keen memory about where we bought a certain piece, how much we paid for it, who was with us when we bought it, and what we planned for it?&nbsp;&nbsp; How about pulling out unfinished projects, doesn't that reconnect us again with the process of making? A&nbsp; lot of us have taken classes and workshops with our good friends, and also made new friends while attending these events.&nbsp; <br><br>One experience that came back to me this morning when I found an unfinished project was the beginnings of a Friendship Quilt I started in Jeanette Reynolds' class she taught for the Napa Valley Quilters.&nbsp; I think it was in the late 90's.&nbsp; When I pulled out these blocks in various states of completion, also strips of fabric, the template itself, worksheets,&nbsp; supply list, well, the day came back to me, and my eyes teared up remembering the loving circumstances of that day.&nbsp;&nbsp; The comaraderie among women is truly enhanced by belonging to a group of makers and appreciators. <br><br>Women's History Month 2008 ends today, but it seems that we are among many who see fit to honor women's history frequently in many of the workshops offered through various Quilt and Wearable Art groups.&nbsp; Do you agree?<br>]]></description><dc:subject>Network for Wearable Art</dc:subject><dc:creator>Viktorya</dc:creator><dc:date>2008-03-31T17:46:42Z</dc:date></item><item rdf:about="http://artnjavablog.artnjava.com/2008/03/29/patterns-galore.aspx"><title>Patterns galore!</title><link>http://artnjavablog.artnjava.com/2008/03/29/patterns-galore.aspx</link><description><![CDATA[Last week, I cruised through Vogue and McCalls patterns online, sketching out some styles that I really liked and making note of pattern numbers in my sketchbook.&nbsp; Having had the flu bug I haven't been up to shopping but yesterday I ventured out and swung by Hancock's on El Camino in Sacramento.&nbsp; SCORE!!! The Vogue patterns were on sale, 75% off, and McCalls patterns were 1.99 each.&nbsp; <br><br><br><div style="margin-left: 40px;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <img src="http://images.quickblogcast.com/47449-43097/patterns.jpg" border="0" width="500"><br></div><br>This morning, I'm going to the fabric sale in Davis at RIKI warehouse.&nbsp; I'll take these new patterns to help keep my focus.&nbsp; The tendency when I am in the midst of gorgeous fabrics, I go a little nutty.&nbsp; Sound familiar??<br><br>More to come...<br><br>]]></description><dc:subject>WEARABLE ART</dc:subject><dc:creator>Viktorya</dc:creator><dc:date>2008-03-29T05:40:29Z</dc:date></item><item rdf:about="http://artnjavablog.artnjava.com/2008/03/27/news-for-network-for-wearable-art-enthusiasts.aspx"><title>News for Network for Wearable Art Enthusiasts</title><link>http://artnjavablog.artnjava.com/2008/03/27/news-for-network-for-wearable-art-enthusiasts.aspx</link><description><![CDATA[During our NWA meeting, there were items brought up about upcoming News and Events our Wearable Art enthusiasts would have interest in.&nbsp; Sylvia PolkTo follow is some of that information:<br><span style="font-weight: bold;"><br>The Art and History of Shibori </span>by Yoshiko Wada<br><br>Monday, 7 April 2008<br><span style="font-weight: bold;">Valley Stitchers</span><br>Faith Lutheran Church<br>MAP click link<br><a href="http://www.mapquest.com/maps/50+Woodsworth+Ln+Pleasant+Hill+CA+94523-3314/" target="_blank">50 Woodsworth Lane</a><br>Pleasant Hill<br>Doors open at 9:30 a.m. meeting starts at 10 a.m.&nbsp; <br>Guest cost $5. <br>It is the Gregory Lane turn off on 680.<br><br><span style="font-weight: bold;">Haute Couture Societe in Stockton</span> is sponsoring the Fashion Show on 4 May at the Sheraton Hotel in Stockton<br>email for information budnmaryqhn.cs.com<br><br><span style="font-weight: bold;">Textile Arts in Sacramento</span><br>email for information <a href="mailto:mlotz@cityofsacramento.org" class="content">mlotz@cityofsacramento.org</a><br><br><a href="http://www.asgsacramento.org/events.html" target="_blank">American Sewing Group in Sacramento</a><br><br>May 2, 2008<br><span style="font-weight: bold;">Sandra Betzina</span><br><span style="font-weight: bold;">"Fit and Sew"</span><br>10:00 a.m. - 4:30 p.m.<br><span style="font-weight: bold;">Tayo's Fabrics and Quilts</span><br>10127 Fair Oaks Blvd., Fair Oaks, CA 95628<br>$100 for ASG members<br>$110 for non-members<br>Limited to 12 participants<br><span style="font-weight: bold;">For more information contact:</span><br>Carol Fordice 916-543-7091<br><br>May 3, 2008<br><span style="font-weight: bold;">Sandra Betzina</span><br style="font-weight: bold;"><span style="font-weight: bold;">"Fashion and Fabrics 2008" Trunk Show</span><br>9:00 a.m.-4:00 p.m.<br><span style="font-weight: bold;">Odd Fellows Temple</span><br>1831 Howe Ave. Sacramento, CA 95825<br>$40 for ASG members<br>$50 for non-members<br><span style="font-weight: bold;">For more information contact:</span><br>Carol Fordice 916-543-7091<br><br><span style="font-weight: bold;">NETWORK FOR WEARABLE ART </span><br><br>May 17,2008 &nbsp;&nbsp; <br><span style="font-weight: bold;"><a href="http://www.jrflamingo.com/" target="_blank">J. R. Flamingo</a><br></span>1139 Fulton Avenue, Suite C<br>Sacramento, CA 95825&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
<br><br>On the Patio discharging
fabric workshop -- Supplies needed will be in the May Newsletter  <br>&nbsp;&nbsp;&nbsp; <br>]]></description><dc:subject>Network for Wearable Art</dc:subject><dc:creator>Viktorya</dc:creator><dc:date>2008-03-27T05:40:57Z</dc:date></item><item rdf:about="http://artnjavablog.artnjava.com/2008/03/17/network-for-wearable-art--review-and-relevant-links.aspx"><title>Network for Wearable Art -- Review and Relevant Links</title><link>http://artnjavablog.artnjava.com/2008/03/17/network-for-wearable-art--review-and-relevant-links.aspx</link><description><![CDATA[Saturday, 15 March, 2008, Network for Wearable Art enthusiasts met at the <a href="http://www.aquiltedheart.net" target="_blank">Quilted Heart in Vacaville</a>.&nbsp; A good time was had by all!&nbsp; The owners graciously provided luscious raisin scones with a lemon topping -- thank you!<br><br>The focus of the day centered around the upcoming Denim challenge, scheduled for 20 September 2008 at <a href="http://www.jrflamingo.com" target="_blank">J. R. Flamingo in Sacramento CA.</a>&nbsp; And also this will be a day to celebrate with a birthday party, our 19th year&nbsp; --&nbsp; NWA was organized in September 1989.<br><br>Many members brought denim wearables that were made by hand, hand embellished denim ready-mades , and inspirational denim fabrics.&nbsp; This relaxed meeting set the stage for an open discussion during which so many members offered hints, tips, techniques, and places to visit either online or in person. <br><br>The pic follows of Patty, whose colors remind one of colorful Matisse paintings. <br>From her hand-knitted socks to the hand made bag, depicts her love of orange.<br><br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <img src="http://images.quickblogcast.com/47449-43097/patty.gif" border="0" width="450"><br><br><br><br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Her hand-knitted bag is for her laptop MAC computer.<br><br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <img src="http://images.quickblogcast.com/47449-43097/patty_computer_bag.gif" border="0" width="450"><br><br><br><br>RELEVANT LINKS are:<br><br>DESIGNERS <br><br><a href="http://www.thesewingplace.com/index.asp?PageAction=VIEWCATS&amp;Category=173" target="_blank">List of Pattern Designers</a> Designers such as Lois Ericson, Diane Ericson, Marcy Tilton and many more.<br><br>An NWA member brought denim-look linen and told about an annual fabric warehouse sale by RIKI Designs in Davis CA.&nbsp; I stopped by and bought several rolls of gorgeous wool, linen, and knitted fabrics.&nbsp; RIKI sells garments online -- visit her site for a map to her three Northern CA locations.<br><br><a href="http://rikidesign.com/" target="_blank">RIKI DESIGNS in Davis CA</a><br>http://rikidesign.com/<br><br>SPIRAL SKIRT<br><br>President Lois Etcheberry wore a very smart looking denim spiral skirt.&nbsp; This is the best I could find for a pattern.<br><br><a href="http://www.sewmodestclothing.com/spiralskirt.shtml" target="_blank">Spiral Skirt Instructions</a><br><br><a href="http://birchstreetclothing.com/prod.php?itemID=" target="_blank">Birch Street Clothing Spiral Skirt</a><br><br>FOR COMMERCIAL SNAP APPLICATIONS:<br><br>Program Chair Pat Haas brought an <a href="http://www.folkwear.com/137.html" target="_blank">Australian Drover's Coat (Folkwear Pattern)</a> she had made for her son.&nbsp; We agreed the well-worn patina added a living quality to this garment.&nbsp; Pat mentioned the snaps had to be applied at a commercial canvas installer, simply to be wearer-worthy and not come off from use.&nbsp; Noelle Olson mentioned another retail store that applies snaps -- <br><br><a href="http://tandyleather.com" target="_blank">Tandy Leather</a><br>Toll Free: 866-817-3135<br>Manager: Freddie Dupont<br>2858 Fulton Ave Sacramento, CA 95821<br>sacramento@tandyleather.com<br>916-483-3350 fax: 916-483-3431<br><br>VINTAGE<br><br>Connie Barton brought a notebook full of sketches with fabrics used in her costume designs for the <a href="http://www.chickensball.org/" target="_blank">Chicken Ball in San Carlos</a>&nbsp;&nbsp; She spoke to this historical show, which originated in 1938 as fund raiser to pay for school childrens' Milk Money.<br><br>And as a final note, my wearables are often inspired by fashions of the early 1900's on up into the 1930's and 1940's.&nbsp; This site has some exquisite examples of some fine fashions.<br><br><a href="http://www.vintagetextile.com/index.html">Vintage Textiles</a><br><br>Looking forward to our meeting in July where we will have a hands-on workshop learning techniques about discharging designs on fabrics using discharging mediums of all sorts.<br><br>-- Viktorya<br><br><br>]]></description><dc:subject>Network for Wearable Art</dc:subject><dc:creator>Viktorya</dc:creator><dc:date>2008-03-27T05:43:48Z</dc:date></item><item rdf:about="http://artnjavablog.artnjava.com/2008/03/13/bits-of-paper-dress-history.aspx"><title>Bits of Paper Dress History</title><link>http://artnjavablog.artnjava.com/2008/03/13/bits-of-paper-dress-history.aspx</link><description><![CDATA[Interested in finding out more about paper dresses, I went on a search for articles and images exemplifying this historical fashion.&nbsp; These hardly are representative of a brown paper bag dress, a resource I want to use, but rather these 1960's wearables lean toward art.<br><br>The first entry is about a paper dress of a Bob Dylan Image, the URL address is to a UK e-commerce site, listing this dress for sale.&nbsp; Since it is an e-commerce site, I'm including the address you can copy and paste into a browser window if you want to visit the site: 991.com/Buy/ProductInformation.aspx?StockNumber=317848<br><span></span><br><div style="margin-left: 40px;"><span style="font-style: italic;">BOB DYLAN Paper Dress (Stunning original 1966 UK Paper Dress manufactured by the Scott Paper Company in non-woven fibre. It features a large black &amp; white portrait of Dylan from Blonde On Blonde period. The dress is unmodified, undamaged and unworn, having been preserved, folded, in immaculate condition for almost forty years. See 'more info' for further background on this amazing rarity...)<br><br><img src="http://images.quickblogcast.com/47449-43097/Bob_Dylan_Paper_Dress_317848.jpg" border="0" width="233"><br></span></div><br>The next entry is from <a href="http://www.consumerreports.org/cro/aboutus/vintagephotos/19601969archive/" target="_blank">Consumer Reports - Vintage Items</a><span style="font-weight: bold; font-style: italic;"></span><br>Paper dress, 1966<br><div style="margin-left: 40px;"><span style="font-weight: bold; font-style: italic;">The Paper Caper</span>, <span style="font-style: italic;">a wear-it-once dress from the Scott Paper Co., is rather sloppily made; the "fabric" is not very strong; and the printed color has a tendency to rub off when it gets damp. You do receive discount coupons for Scott products with your purchase.<br><br><img src="http://images.quickblogcast.com/47449-43097/196602.jpg" border="0" width="525"><br></span></div> <br>The last entry for today is from the <a href="http://www.ashevilleart.org/previous-exhibitions/groovy-garb-paper-clothing-from-mars-manufacturing-co.html">Ashville Art Exhibition called Groovy Garb</a><br>The Event was in 2007 but I have added the entry in full, simply because of the proper credit attribution.<br><div style="margin-left: 40px;"><span style="font-style: italic; font-weight: bold;"><br>Groovy Garb: Paper Clothing from Mars Manufacturing Company</span><br style="font-style: italic;"><span style="font-style: italic;">I<br>n 1966, Scott Paper Co. introduced disposable clothing as a promotion gimmick with a sleeveless shift selling for $1.00. It was so shapeless that it recalled a paper bag. But for a country now accustomed to throw-away cups, plates, napkins and diapers, paper clothing seemed a logical next step. Scott sold 500,000 dresses in eight months, and the strong response had other manufacturers and designers joining the paper chase.</span><br style="font-style: italic;"><br style="font-style: italic;"><span style="font-style: italic;">&nbsp;By 1967, Mars Manufacturing Company of Asheville was the nation's leading producer of paper dresses, selling 80,000 to 100,000 a week. From its basic A-line shift, the company expanded its line to include bell-bottom jump suits, evening gowns, aprons, men's vests, children's dresses and even swimming trunks. The rage for paper lasted a short time and by 1974 it was already passé. At that point the Mar's Manufacturing Company began experimenting with other uses for paper clothing and eventually developed a successful line of disposable garments to be worn in factories and hospitals. This exhibition will explore the clothing made by the Mars Manufacturing Company.</span><br style="font-style: italic;"><br style="font-style: italic;"><span style="font-style: italic;">The exhibition is organized and curated by the Asheville Art Museum.&nbsp; This project is sponsored in part by Mr. &amp; Mrs. Robert T. Bayer.</span><br style="font-style: italic;"><br style="font-style: italic;"><span style="font-style: italic;">EVENTS</span><br style="font-style: italic;"><br style="font-style: italic;"><span style="font-style: italic;">Friday, July 13, 5:00 – 8:00 p.m.</span><br style="font-style: italic;"><span style="font-style: italic;">Opening reception</span><br style="font-style: italic;"><br style="font-style: italic;"><span style="font-style: italic;">July 20, Friday 8:00 – 10:00 p.m.</span><br style="font-style: italic;"><span style="font-style: italic;">ARTMOB - Groovy Patio Party &amp; Film</span><br style="font-style: italic;"><br style="font-style: italic;"><span style="font-style: italic;">Image Credit:</span><br style="font-style: italic;"><br style="font-style: italic;"><span style="font-style: italic;">Mars Manufacturing Co., Inc. of Asheville, NC, The Paper Keyhole-Neck Dress, circa 1968, 80% cellulose, 20% cotton, Size 12-14</span><br style="font-style: italic;"><br style="font-style: italic;"><span style="font-style: italic;">Mars Manufacturing Co., Inc. of Asheville, NC, Package Insert for Cap sleeved Dress, Number 106 from the "Aste Basket Botique", 1967, paper. 8 x 11 inches.&nbsp; Courtesy of Mr. and Mrs. Robert T. Bayer. </span><br style="font-style: italic;"><br><img src="http://images.quickblogcast.com/47449-43097/mars_s.jpg" border="0" width="245"><br></div><br>As a closing note, using brown paper bags for a dress has great appeal to me.&nbsp; The paper can be softened by squirting water on it, crumpling, drying to just damp, and ironing dry.&nbsp; Repeating that process does give the paper pliability.&nbsp; I'm knee deep in running my business, but one of these days I will wade out and rumple brown paper into a dress.<br><br>--&nbsp; Viktorya<br><br>]]></description><dc:subject>Recycled Materials</dc:subject><dc:creator>Viktorya</dc:creator><dc:date>2008-03-27T05:44:40Z</dc:date></item><item rdf:about="http://artnjavablog.artnjava.com/2008/03/12/network-for-wearable-art-meeting.aspx"><title>Network for Wearable Art Meeting</title><link>http://artnjavablog.artnjava.com/2008/03/12/network-for-wearable-art-meeting.aspx</link><description><![CDATA[All Network for Wearable Art meeting notes, calendar and upcoming events posted below are from the NWA newsletter.&nbsp; <br><br>Come to the March meeting:<br><br><img src="http://images.quickblogcast.com/47449-43097/NWA_logo.jpg" border="0" width="134"><br><br><div style="margin-left: 40px;">Saturday March 15th<br></div><div style="margin-left: 40px;">The Quilted Heart<br>10:30 AM&nbsp;&nbsp; Arrive and Chat.<br>
11:00 AM&nbsp;&nbsp; Show and Tell<br>878 Alamo Drive<br>Vacaville.<br>Saturday, March 15, 2008<br><br></div>•&nbsp;&nbsp;&nbsp; Bring any of your wearable art denim to give inspiration for the denim challenge in September.<br>•&nbsp;&nbsp;&nbsp; Bring any denim you want to give to the club to sell to other members.<br>•&nbsp;&nbsp;&nbsp; Bring questions about working with denim, i.e. <br><div style="margin-left: 40px;">Can you ruffle denim and, if so, how?&nbsp; How do you get through areas of 4 deep seams?&nbsp; How do you put in snaps so that they stay?<br></div>•&nbsp;&nbsp;&nbsp; Bring your expertise about working with denims so we can answer each other’s questions.<br><br>Please add to your calendar:<br><br><span style="font-weight: bold;">UPCOMING NWA MEETING DATES 2008 CALENDAR</span><br><br>Please let Pat Haas know of any speaker you would like to have at our meeting and give her contact information.<br>.<br>March 15&nbsp;&nbsp;&nbsp; <span style="font-weight: bold;">A Quilted Heart&nbsp;</span>&nbsp;&nbsp; Vacaville.&nbsp; Showing our wearable denim, Then and Now.&nbsp; <br><br>May 17&nbsp;&nbsp;&nbsp; <span style="font-weight: bold;">J. R. Flamingo&nbsp;</span>&nbsp;&nbsp;&nbsp;&nbsp; Sacramento.&nbsp; On the Patio – doing something messy – discharging fabric.&nbsp; Pat will have a list of needed things at the March meeting for us to examine and that list will go into the newsletter for May.<br><br>July 19&nbsp;&nbsp;&nbsp; <span style="font-weight: bold;">A Quilted Heart</span>&nbsp;&nbsp; Vacaville<br><br>Sept. 20&nbsp;&nbsp;&nbsp; <span style="font-weight: bold;">J. R. Flamingo</span>&nbsp;&nbsp;&nbsp; Sacramento.&nbsp; Showing our challenge fabrics done up, and birthday party. <br><br>Nov. 15&nbsp;&nbsp;&nbsp; <span style="font-weight: bold;">A Quilted Heart</span>&nbsp;&nbsp;&nbsp; Vacaville<br><br><span style="font-weight: bold;">UPCOMING EXHIBITIONS OF INTEREST<br><br></span>March 15 – 16&nbsp;&nbsp; Valley Quilt Guild presents Silver Threads, 25 Annual quilt show.&nbsp; Yuba Sutter Fairgrounds, 442 Franklin Avenue, Yuba City, Calif.&nbsp; dleighto@juno.com&nbsp; *Connected by Thread, Two Special Exhibits, <span style="font-weight: bold;">*The cutting-edge art of the California Fiber Artists,</span> *Author Jennifer Chiaverini and the quilts inspired by her Elm Creek Quilt Novels.<br><br>Dec. 2 – Feb.6 – Off the Bed – On the Back.&nbsp; <span style="font-weight: bold;">Quilts and Garments by Rachel Clark &amp; Friends</span>.&nbsp; Reception, Sunday December 1 from 1:00 to 3:00 PM.&nbsp; Back Porch Fabrics and Gallery, 157 Grand Ave., at Central Ave., Pacific Grove.&nbsp; 831/375-4453<br><br><br>--Viktorya<br><br>]]></description><dc:subject>WEARABLE ART</dc:subject><dc:creator>Viktorya</dc:creator><dc:date>2008-03-27T05:45:13Z</dc:date></item></rdf:RDF>